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This collection of nine original articles deals with the expression of possession at various levels of grammar, morphological, phrasal, and syntactic, and from a typologically diverse range of languages (including Germanic, Oceanic, Meso-American, and Australian Aboriginal). There are two main aims. The first is to reveal something of the range of constructions employed cross-linguistically in the expression of possession, and second, to present an understanding of the possessive relation itself as a cognitive and linguistic phenomenon. A guiding principle in the selection of contributors has been to invite linguists whose research, while not necessarily directly dealing with possession, touches on it, and indicates that they are likely to provide fresh perspectives on this well-trodden field.

Expression Studio 4 Ultimate: Expression Blend, Visual Studio, Silverlight and .NET provide a seamless design and development

It is a truism that you cannot draw something unless you know what it looks like. It is also true that just because you know something very well, it does not mean that you can draw it. I have taught many medical personnel, including doctors, nurses, and various specialists with much more understanding of anatomy than myself. In fact, it took a while for me to realize that just knowing anatomy would not make me draw better. What I needed was a method of understanding anatomical facts so I could use these landmarks as a tool of communication and expression without violating basic anatomical reality and thereby detracting from the drawing what it was trying to communicate. Glenn breaks this down into a series of steps that are easy to understand and apply.

Why wait for the future of sampling, when you can get it now? The Performance Set represents sampling’s next phase from fixed, inflexible recordings to pure fluid expression. When combined with Vienna’s included MIDI Tools, you’ll get the realism of a live performance with the flexibility of multisamples. You simply won’t believe your ears!
Play real legato in real-time with multiple dynamics. Perform runs and repeated notes with absolute authenticity and change tempos easily. Achieve a realism that was unthinkable until now with creative capabilities that far surpass the limitations of conventional orchestral sample libraries.